Anatomy of a Breakup or Her Life to Fix: The Worst Person in the World (Senses of Cinema)
Among the thousands of books that have been written trying to elucidate Hitler, there is a remarkable one by Ron Rosenbaum, Explaining Hitler: The Search for the Origins of His Evil.
Luis Buñuel’s El in the Face of Cultural Appropriation and the #MeToo Movement (Senses of Cinema)
Before the first consumer-grade videotapes came out in the mid-1970s, it stands to reason that movies were not that readily available for the general public.
Come and See The Painted Bird: A Filmmaker’s Plea (Senses of Cinema)
Recently I saw what will most likely be my favourite film of the past year and foreseeable future, especially in light of the pandemic: The Painted Bird (Václav Marhoul, 2019), from the Czech Republic.
Elegy to my mentor and friend, Carlos Biro, published in Mexican newspapers.
Elegy to my mentor and friend, Carlos Biro, published in Mexican newspapers.
Recalling Maria Felix: Frailty, Thy Name Is Now Woman (LA Times)
‘Frailty, thy name is woman’ When Shakespeare wrote those words for ‘Hamlet’, he could not have imagined there would someday be a woman such as Maria Felix.
The Mestiza Scheherazade (LA Times)
Sara Rosario Gonzalez is a 32-year-old restorer of rare books at the Getty Museum in Los Angeles who unexpectedly finds herself on the verge of a heartbreak, but as Yxta Maya Murray shows in her latest novel, “The Conquest,” the human yearning to overcome loss can sometimes be the inspiration that leads to great art.
Being There Without Being There in the Era of COVID-19 (Senses of Cinema)
In the history of cinema, filmmakers have often faced seemingly insurmountable difficulties to produce meaningful films, and time and again they have turned those challenges into creative opportunities that have expanded the palette of cinematic language.